- #ASCENSION goes down June 11th featuring Prep vs @Richdolarz who yall got? @UnbiasReview @Jayblac1615 @ANGRYFAN007 @hiphopisrealtv @Vada_Fly
- @HitmanHolla & @AYEVERB form one of the deadliest 2 on 2 teams ever, do u think they'll outshine @TheRealTayRoc & @Tsu_Surf 1st performance?
- Get your tickets now, Midwest legends @HitmanHolla & @AYEVERB are back, who you think they got! @UnbiasReview… https://t.co/mtxqhauAzz
- RT @TheRealTayRoc: I will be in the fuckin building smoking HEAVY! https://t.co/XnzK7MxeCv
- June 11th we taking it back to tear intimate feel! TICKETS ONLY AVAILABLE AT THE DOOR! ONLY 200 tickets being sold!… https://t.co/esXlH1I8mL
- SHOTGUN SUGE Kash Doll (Look At That Chick) https://t.co/fu3vw1P5fO via @YouTube
- June 11th @Richdolarz vs Prep #ASCENSION https://t.co/vfa5TsWBTX
The Source | Kendrick Lamar Responds to Geraldo Rivera’s Criticism of His BET Awards Performance
“How can you take a song that’s about hope and turn it into hatred?” asked Kendrick Lamar in a response to Geraldo Rivera’s criticisms of his BET performance and hip-hop in general. “The overall message is ‘We gonna be alright.’ It’s not the message of I want to kill people.”
The Compton rapper spoke to TMZ Thursday after Rivera and other Fox News anchors slammed his powerful performance of “Alright” at the 2015 BET Awards.
“This is why I say that hip-hop has done more damage to young African-Americans than racism in recent years. This is exactly the wrong message,” Rivera said, specifically pointing to the “Alright” line: “And we hate po-po/ Wanna kill us dead in the street, fo sho.”
But Lamar called this sort or rhetoric an attempt to delude the real problem: “the senseless acts of killings of these young boys out there.”
“For the most part it’s avoiding the truth,” he said in the video interview. “This is reality, this is my world, this is what I talk about in my music. You can’t delude that. Me being on a cop car, that’s a performance piece after these senseless acts.”
Lamar continued, “Hip-hop is not the problem. Our reality is the problem of the situation. This is our music. This is us expressing ourselves. Rather [than] going out here and doing the murders myself, I want to express myself in a positive light the same way other artists are doing. Not going out in the streets, go in the booth and talking about the situation and hoping these kids can find some type of influence on it in a positive manner. Coming from these streets and coming from these neighborhoods, we’re taking our talents and putting ‘em inside the studio.”